The RCA-Rider Chanalyst (left) was one of the first pieces of test equipment to use the magic eye tube, or, tubes, as there were four of them.  The Chanalyst debuted in 1938, and was the radio serviceman's dream.  Each of the four tubes had a function of test for the common receiver: The RF (radio frequency) and IF (intermediate frequency stage, the AF (audio) stage, the local oscillator, and a test for power consumption (wattmeter).   The manual for the Chanalyst (center) not only provides instructions for use of the actual instrument, but also gives great tips for diagnosing and repairing sets!  I could receive navigation beacons below 450khz when I connected the Chanalyst IF test stage to a longwire antenna.
   The Meissner Analyst (right) went one step further than the Chanalyst (above), and used the magic eye tube exclusively.  The meter used for the B+ voltage measurement function of the Rca-Rider Chanalyst is replaced on the Meissner Analyst by a bridge circuit using a magic eye tube as a null indicator.  I have yet to see a device containing more than five magic eye tubes, but I won't be surprised if someday I do see one.  There are documents showing that such devices existed.

   Most of the capacitance bridges and capacitor testers made before solid state instruments employed a magic eye tube as a null indicator, even if there was an analog meter included with the test apparatus.  The main advantage of having the magic eye as the null indicator in a bridge circuit is that a higly unbalanced bridge will drive the tube into cutoff, whereas a D'Arsonval meter movement requires a sensitivity adjustment and could be easily damaged by an inexperienced operator.

   Here are a couple of uncommon devices utilizing the magic eye tube.  Seco manufactured test equipment that utilized the magic eye tube and are best known for their tube testers.  They did make other test equipment which also used the magic eye such as this flyback circuit and inductance analyzer used for television servicing (left).  It has a very nicely designed slanted cabinet.

   The "Eye Chek" by Hickok is a neat little instrument that you plug into the socket of a television picture tube.  The tube used is a 6AF6.  The checks accomplished are: filament voltage, anode voltage, intensity or brightness control, contrast control, and the prsence of video from the detector stage.  Naturally, if the filament voltage and anode voltage are present, the eye will become illuminated.  With the presence of video from the detector stage, one shadow of the eye will flutter.  The amount of flutter should change as the contrast control is turned.  The other shadow should open and close as the brightness control is turned.

The Gonset Communicator, referred to by many as a "gooneybox", was produced in the 1950s for amateur radio and commercial communications use.  It utilized the magic eye tube as a tuning indicator as well as an indicator for tuning each stage of the transmitter.  The magic eye tube was used in production of the first two models, the Communicator and the Communicator II.  The later models, the Communicator III and the Communicator IV, utilized a meter.  This may have been an indicator of how smaller mass produced meters were becoming less expensive than the magic eye tube.

Source:
Electronic Engineering Handbook
R. Batcher, W. Moulic
Electronic Development Associates
1944

Figure 71-I shows a simple application of an electron indicator tube as a substitute for a buzzer, lamp, or meter to indicate when a contact is established between two metallic bodies where it is essential that the current through the contacts be kept small.  In case, one of the contacts must be at ground potential, a grounded power line connection can not be used and an isolating transformer must be added.

The selection below describes the construction of a probe using a magic eye tube.

Source:
Probes for Test Instruments (2^nd Edition)
B. Zucconi , M. Clifford
Gernsback Publications, Inc.
1965

   With the a.g.c. systems included in present TV sets, the picture contrast changes very little for large changes in input signal.   Therefore, it is difficult to adjust indoor antennas, outside rotating beams, or TV boosters for best results.  This magic-eye probecan be used when you want maximum input signal.  The probe consists of an electron ray-indicator tube.  The choice of tube is not critical.  You can use any of the types mentioned in the circuit diagram (Figure 818).  To build the probe, obtain a section of tubing having a length of about 4½ inches, and a diameter of 1½ inches, approximately.  The tubing can be plastic, bakelite, aluminum, or any material you have on hand.  The indicating face of the magic-eye tube should extend slightly from one end of the probe housing while the probe tip is mounted at the other end.  You will need to bring two leads into the probe, one for B plus and the other for one leg of the filament line.  These voltages can be obtained quite readily from the TV set you are working on.  The two wires, filament and B plus, should terminate in shielded alligator clips which can then be attached to the desired filament and B plus voltage points in the TV set.
   You can mount the magic-eye tube in a socket or solder directly to the pins of the tube.  The cathode of the tube should connect to one side of the filament.  From this pin, run a wire through the probe housing.  This wire, about 8 inches long, will be the ground wire of the probe.
   If the set uses a ratio detector, touch the probe point to the negative end of the electrolytic capacitor in the ratio detector circuit.  If the set uses a limiter-discriminator circuit, the probe point should go to the grid of the first limiter through a filter network as shown in the diagram.
   If there are two positions of maximum shadow close together, this means that the sound i.f. is overcoupled.  Then the correct tuning position is between the two.

   Since the introduction of the magic eye tube, there seems to have been a continuous desire among hobbyists and inventors to incorporate the use the magic eye tube in their projects and creations.  Whether actually functional, or just as an attention getter, that desire continues among tube enthusiasts today.